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Overlays

The purpose of the Overlay Modes is to control the foreground and background stacking and use blending to reshape image object boundaries. It normally makes use of a binary type alpha blending system for all in or all out. To use the available operations in CINELERRA-GG, follow these steps:

1. In the main window, look at the Patchbay on the far left.
2. Click on the small arrow that points to the right, inside the panel to see it expand.
3. A down arrow shows up with a tooltip of overlay mode.
4. Use the down arrow to get to the popup menu and choose the desired effect from the 30 possibilities. Normal is the default.

Figure 12.1 shows the pulldown in the patchbay and the tool tip Overlay mode which provides access to 4 types of overlays. Each will expand further as shown in the screenshots below for PorterDuffs and graphic art.

Figure 12.1: Patchbay pulldown with Porter Duff and Graphic Art overlays expanded

Porter-Duff is the industry standard for alpha blending operations. Only a short explanation follows here, but there is much more information to be found on the internet with complete descriptions and examples. Every pixel has 3 color channels (like RGB), and may have 1 alpha channel value. If there is no alpha defined for a color model, the alpha value is assumed to be 1. Regions of the image are created with the alpha image map. These regions are manipulated using the blending operations described below. Alpha blending is the process of combining a foreground color with a background color which produces a new blended color. The alpha channel describes how much opacity is present in a pixel. It may be completely transparent, completely opaque, or any range of translucency.

Conceptually, when the foreground color is completely opaque, the resulting blended color will be the foreground color. If it is transparent, the blended color will be the color of the background. When the value of the alpha channel is 1, the image is all there, if it is 0, there is no image at all, otherwise it is only partially there. In other words, the alpha value goes from 0 to 1, where full transparency is 0 and opaque is represented by 1. Alpha blending models opacity.

When blending source and destination shapes (Dst and Src), the shape boundaries can be changed with the alpha blending effects. There are a total of 10 standard Porter-Duff operators, but there are 30 possible overlay modes used in CINELERRA-GG. Each is characterized by its value in the four regions: source, destination and both, with the neither region always being blank. The source and destination regions can either be blank or filled with the source or destination colors. A specific compositing math formula is used to calculate effect. This is only applicable to RGB; some effort has been made to accommodate YUV, but the effects are not as predictable, and may not be useful.

Below, in figure 12.2, are the results of utilizing the 30 available operations within CINELERRA-GG as listed on a following page. Src is the solid green rectangle and Dst is the solid red rectangle. There are better illustrations of what alpha blending can do, however for consistency sake, these are the results when using standards. For an alternative set of source video illustrations, see Alternative Views of Overlay Modes.

Figure 12.2: Normal and Arithmetic overlays

Figure 12.3: Porter Duff overlays

Figure 12.4: Logical overlays

Figure 12.5: Graphic Art overlays

Subsections

- Math algorithms
  - Normal
  - Arithmetic:
  - Porter-Duff
  - Logical
  - Graphical Art
- Description
  - Normal Group
  - Arithmetic Group:
  - Porter-Duff Group
  - Logical Group
  - Graphical Art Group
- Alternative Views of Overlay Modes
- Problems with transparencies